Assignment: Which tones would clash with the Secondary Dominant C7?

Learn Piano Level 5: Use Dynamic Secondary Dominant Color Chords & Walking Basses to a Song

#1 Introduction

#2 Harmony Rule 1: One Primary Dominant Chord in the Key

#3 Harmony Rule 2: Understanding Secondary Dominants

Music Tip 2: Secondary Dominant: V7/V7 (3:23)
Music Tip 3: Secondary Dominant: V7/ii7 (1:41)
Music Tip 4: Secondary Dominant: V7/vi7 (1:25)
Music Tip 5: Secondary Dominant: V7/iii7 (1:41)
Music Tip 6: Secondary Dominant: V7/IV (1:08)

#4 Harmony Rule 3: Proper Roman Numeral Notations for Secondary Dominants

#5 Harmony Rule 4: Movement of Secondary Dominants

Music Tip 11: Secondary Dominants Resolve to the Diatonic Chords like V7 to I (1:56)

#6 Harmony Rule 5: Secondary Dominant Chords are written in Capital Roman Numerals

Music Tip 12: Use Secondary Dominants Template to see everything in ONE flash (3:46)

#7 Quick Reference Video: 5 Secondary Dominants for Key of C

Summary Video: 5 Secondary Dominants for C Key - I7, II7, III7, VI7, VIII7 (3:46)

#8 Two Circles for Reharmonization - Diatonic Chords & Secondary Dominant Chords

Music Tip 13: Use 2 Circles - Diatonic Chords and Secondary Dominant Chords (2:04)

#9 Song Application Step 1: Add in the Secondary Dominant Chord II7

Music Tip 14: Chord Progression: II7 V7 I - D7 G7 C (0:43)
Music Tip 15: Secondary Dominant Chords move counterclockwise also (1:27)
Music Tip 17: Substituting D7 for Dm7 (4:12)
Music Tip 18: Pay attention to the F# Tone (1:40)
Music Tip 19: Find out which 2 melody tones clash with F# (1:38)
Final Chord Chart for D7 G7 C in Away In A Manger (1:38)

#10 Piano Demo: D7 G7 C

#11 Song Application Step 2: Add in A7 Seondary Dominant Chord

Music Tip 20: Chord Progression - A7 D7 G7 C (1:20)
Music Tip 21: Distinguish between Am7 and A7 (1:20)
Put in A7 Secondary Dominant into Away In A Manger (1:46)
Music Tip 22: The Two melody tones that clash with A7 (1:14)
Find Places that you can reharmonize Away In A Manger with A7 (1:21)
Music Tip 23: Song application to Away In A Manger: A7 D7 G7 C (0:58)

#12 Piano Demo: A7 Dm7 G7 C

#13 Song Application Step 3: Add in C7 Secondary Dominant

Music Tip 24: Chord Progression - C7 F (0:26)
Music Tip 25: Home Chord I vs Dominant Chord I7 (0:46)
Music Tip 26: Distinguish the Chord tones of CM7 and C7 (1:32)
Music Tip 27: C7 Goes Before F - Put in C7 for Away In A Manger (0:46)
Assignment: Which tones would clash with the Secondary Dominant C7? (0:31)
Music Tip 28: The 2 melody tones that will clash with C7 (0:31)
Music Tip 29: Putting C7 into our final chord chart (0:53)

#14 Piano Demo: C7 F - I7 IV

#15 Biggie: Combining ALL 5 LEVELS

#16 Fun Piano Techniques - Walking Bass

Piano Tip 1: Apply Piano Techniques to Basic Chords
Sheet Music for Away In A Manger
Piano Tip 2: Three Places to put in Walking Basses - C to F, C to G7, G7 to C
Piano Tip 3: Walking Basses sound great in Contrary Motion
Piano Tip 4, 5, 6: Walking Basses - Going Up, Going Down & Contrary Motion (1:23)
Play Along - Walking Basses in Away In A Manger (0:47)

#17 Walking Basses Variation

#18 Summary & Conclusion of the Course

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