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Learn Piano Level 5: Use Dynamic Secondary Dominant Color Chords & Walking Basses to a Song
#1 Introduction
Overview of the Course
Highlights of things you will learn in this course (3:29)
#2 Harmony Rule 1: One Primary Dominant Chord in the Key
Music Tip 1: G7 - One Primary Dominant Chord in C Key (3:23)
#3 Harmony Rule 2: Understanding Secondary Dominants
Music Tip 2: Secondary Dominant: V7/V7 (3:23)
Music Tip 3: Secondary Dominant: V7/ii7 (1:41)
Music Tip 4: Secondary Dominant: V7/vi7 (1:25)
Music Tip 5: Secondary Dominant: V7/iii7 (1:41)
Music Tip 6: Secondary Dominant: V7/IV (1:08)
#4 Harmony Rule 3: Proper Roman Numeral Notations for Secondary Dominants
Music Tip 9: Two Roman Numerals for Secondary Dominants (3:00)
Music Tip 10: Primary Dominant vs Secondary Dominants (3:20)
Summary of Primary & Secondary Dominants in Key of C (1:56)
#5 Harmony Rule 4: Movement of Secondary Dominants
Music Tip 11: Secondary Dominants Resolve to the Diatonic Chords like V7 to I (1:56)
#6 Harmony Rule 5: Secondary Dominant Chords are written in Capital Roman Numerals
Music Tip 12: Use Secondary Dominants Template to see everything in ONE flash (3:46)
#7 Quick Reference Video: 5 Secondary Dominants for Key of C
Summary Video: 5 Secondary Dominants for C Key - I7, II7, III7, VI7, VIII7 (3:46)
#8 Two Circles for Reharmonization - Diatonic Chords & Secondary Dominant Chords
Music Tip 13: Use 2 Circles - Diatonic Chords and Secondary Dominant Chords (2:04)
#9 Song Application Step 1: Add in the Secondary Dominant Chord II7
Music Tip 14: Chord Progression: II7 V7 I - D7 G7 C (0:43)
Music Tip 15: Secondary Dominant Chords move counterclockwise also (1:27)
Music Tip 17: Substituting D7 for Dm7 (4:12)
Music Tip 18: Pay attention to the F# Tone (1:40)
Music Tip 19: Find out which 2 melody tones clash with F# (1:38)
Final Chord Chart for D7 G7 C in Away In A Manger (1:38)
#10 Piano Demo: D7 G7 C
Listen to the sounds of D7 G7 C Progression (0:39)
Final Chord Chart with D7 G7 C - Away In A Manger
Away In A Manger Sheet Music with D7 G7 C
Piano Demo on the entire song with D7 G7 C (0:57)
#11 Song Application Step 2: Add in A7 Seondary Dominant Chord
Music Tip 20: Chord Progression - A7 D7 G7 C (1:20)
Music Tip 21: Distinguish between Am7 and A7 (1:20)
Put in A7 Secondary Dominant into Away In A Manger (1:46)
Music Tip 22: The Two melody tones that clash with A7 (1:14)
Find Places that you can reharmonize Away In A Manger with A7 (1:21)
Music Tip 23: Song application to Away In A Manger: A7 D7 G7 C (0:58)
#12 Piano Demo: A7 Dm7 G7 C
Final Chord Chart for putting in the A7 Secondary Dominant Chord
Music Sheet with the A7 Secondary Dominant Chords
Piano Demo of the Entire song with A7 added in (0:56)
#13 Song Application Step 3: Add in C7 Secondary Dominant
Music Tip 24: Chord Progression - C7 F (0:26)
Music Tip 25: Home Chord I vs Dominant Chord I7 (0:46)
Music Tip 26: Distinguish the Chord tones of CM7 and C7 (1:32)
Music Tip 27: C7 Goes Before F - Put in C7 for Away In A Manger (0:46)
Assignment: Which tones would clash with the Secondary Dominant C7? (0:31)
Music Tip 28: The 2 melody tones that will clash with C7 (0:31)
Music Tip 29: Putting C7 into our final chord chart (0:53)
#14 Piano Demo: C7 F - I7 IV
Final Chord Chart for putting in C7
Piano Demo of the Entire Song with C7 Secondary Dominant (0:58)
Music Sheet with C7 Secondary Dominant Chord
#15 Biggie: Combining ALL 5 LEVELS
The Art of Combining All 5 Levels - Find your own sound
A Sample of My Students
Piano Demo of the 5 Levels Combined! (2:43)
#16 Fun Piano Techniques - Walking Bass
Piano Tip 1: Apply Piano Techniques to Basic Chords
Sheet Music for Away In A Manger
Piano Tip 2: Three Places to put in Walking Basses - C to F, C to G7, G7 to C
Piano Tip 3: Walking Basses sound great in Contrary Motion
Piano Tip 4, 5, 6: Walking Basses - Going Up, Going Down & Contrary Motion (1:23)
Play Along - Walking Basses in Away In A Manger (0:47)
#17 Walking Basses Variation
Piano Tip 7: Create more drama to Walking Basses
Piano Tip 8: Finger Trick with Pinkie & Thumb
Piano Demo: Rocking and Swinging the Walking Basses (0:47)
#18 Summary & Conclusion of the Course
Summary in pdf file
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Summary in pdf file
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